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1. BEST AUDIO INTERFACE FOR LOGIC PRO HOW TO
2. BEST AUDIO INTERFACE FOR LOGIC PRO DRIVERS
3. BEST AUDIO INTERFACE FOR LOGIC PRO PATCH
4. BEST AUDIO INTERFACE FOR LOGIC PRO PRO

* I have my stomp on a pedalboard, there is compression and a few other pedals before it goes into the Stomp so it's technially not a completely dry signal, but close enough.Apple computers are standard in creative industries because of their reliable and uncluttered operating systems. I would definitely try to avoid sending HX analog audio out into UA Twin Apollo analog audio in, you're just converting the audio back & forth between analog & digital for no gain IMO. I have the HX & Scarlett set up as an aggregate device and for my purposes have not noticed any performance or latency issues. This monitor is everything out including Logic. Unusually, I also monitor via the HX Stomp headphones out. This lets me either reamp the dry, or I can run it through Helix Native or whatever other plugins. In Logic, I setup my template so that i'm always recording both the effected signal (HX Stomp outs 1 & 2) and the dry* signal (HX Stomp outs 5 & 6) What worked for me is to mostly use the HX Stomp, connected via USB to my mac. I'm in a similar situation: physical HX device (Stomp), Helix Native, separate audio interface (Scarlett 2i2) and Logic Pro.

BEST AUDIO INTERFACE FOR LOGIC PRO PATCH

I could post an example patch so you can check it out for yourself. Hence, the signal recorded in Logic is everything but those. Usually that's the cab (I prefer to keep that decision open) and whatever delay and reverb FX.

Now, everything I slap into path B is just for my monitoring pleasure. 2A is sent to USB 1/2 whereas 2B is sent to the TRS output (which is what I'm monitoring through).

For this to work, I set the Helix up so that path 2 is split into 2A and 2B. And that's where the Helix really shines.

BEST AUDIO INTERFACE FOR LOGIC PRO DRIVERS

But I still monitor through them straight inside the Helix (doing so within Logic would cause way too high latency as the Helix' interface drivers are pretty bad regarding that, unfortunately).

All speaker sim and FX duties are dealt with inside Logic. Because I'm not exactly recording everything the way it's generated in the Helix - but just the signal until it leaves the amp block (and sometimes some other things following). USB Outs 7/8 always record the DI guitar which I may then send through HX Native.īut during the last months, I rather prefered to record the sound just the way it comes out of the Helix (it's reducing option paralysis and makes me more productive).īut oh well, that's just kinda true. Personally, when recording guitars, I change interfaces (and quite often, I just keep using the Helix out of sheer laziness) because that way I'm gaining ultimate flexibility. I also have another interface that I usually prefer to use over the Helix (a Zoom UAC-2, but that shouldn't matter). I'm a total beginner in this, what do you guys have as your way to go when recording if you have both a Helix and Helix Native? Is there such a thing as a standard practice?įwiw, I also own Helix Native (along with the Floor) and use Logic. Yes, I've got a Powercab and 57's mics etc but I would prefer not recording that way but would prefer recording straight in to the computer without the need to amplify the sound through the powercab and record through a microphone. Having experienced the above, I thought I would do a combination, meaning I record both from a normal preset on the Helix (with a ready made sound) and a dry signal at the same time ( to be able to tweak it later with Helix Native, would the need occurr.).ĥ. I accidentally hooked up the Helix floor with USB to the iMac and recorded straight through the Helix floor, without using the UA apollo twin. I could live with that, adjust buffer size when recording and mixing and still be ok.ģ. The issue I got is that you normally end up with quite a number of guitar tracks (intro, solo, chorus.) and that caused latency. I bought Helix Native and tried to record a dry signal straight in to the Universal Audio instrumental input and then tweaked the sound in Logic using Helix Native. Hence, I had to set the sound right and could not tweak the sound with Helix components afterwards. I started out recording my Helix floor, going out from the XLR outputs on the Helix output straight in to my Universal Audio inputs.

BEST AUDIO INTERFACE FOR LOGIC PRO PRO

I've got an UA Twin Apollo card, a Helix floor and also Helix Native in Logic Pro X 10.5.ġ.

BEST AUDIO INTERFACE FOR LOGIC PRO HOW TO

I have too many options on how to record the guitar tone to Logic Pro X and dont know what is best practice?